Whereas the limiters would add too much coloration, especially for dialogue, this limiter sounds like it isn’t even there. What’s great about this preset aside from it letting you quickly normalize to a particular loudness, is the transparency with which it affects the vocal.

Click Set Gain once the limiter is done analyzing the signal. This function measures the current loudness of the vocal, and then once that’s done, lets you normalize your vocal’s loudness. This is because you’ll need to click set gain. After you select it, you’ll notice that the sound hasn’t changed. In the loudness section of the menu, you’ll find this preset listed as number 56.

If you’re mastering dialogue, or, you simply need your vocal to be loud and at the forefront of a recording, try this preset. 16 LUFS Vocals – TC Electronic Brickwall HD This limiter lets you master to a specific LUFS. This will make the compressor behave more like an optical compressor and will glue the vocal together more. If the sound is too aggressive, or you want an even smoother sound, increase the release time. Increase the release time if you’d like to have even more compression.īut, with just this one setting and a little bit of tweaking, you can achieve an impressive vocal presence in seconds. At this point, you’ll notice an impressively full sound- as if you’ve added 2 or 3 plugins. Simply increase the input until you achieve roughly 5 to 6dB of compression. To establish a great foundation for your vocal, one that’s balanced and controlled dynamically, the smooth vocals comp preset is incredibly helpful. vocals preset by Opto-Comp gives a vocal a lot of presence without being overbearing. Smooth Vocals Comp – T-RackS Opto-Compressor The smooth. We’ll master it for you and send you a sample to review.

Fl studio vocal mixing presets